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August 27, 2018 at 11:18 am #25612
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Starting Sentence Option 2: What exactly does terrorism [signifymean]? According to [the dictionarycommon belief], it’s defined as [definition]. It is [aan] [insidiousdarksneaky] thing that affects [everyoneevery countrymore than just those experiencing it]. [first claim] All you have to do to download the free templates is fill out a short form and give a few details about yourself. Now, you’re going to have to decide if that’s something you want to give away in exchange for the 15 free infographic PowerPoint templates. But do not use images to decorate! That’s a poor use of visuals because it’s just a distraction. Content and structure – Is anything missing or redundant? Is the order logical? Are the headings doing their job? Are footnotes essential? Could supporting material go in an appendix? Is a bibliography needed? Should there be a glossary? Are clickable links needed? Do they work? Information chunks – This depends on the readership, the material and the means of access (e.g. book, comic, desktop, tablet, advert), but usually sentences should be short and straightforward, with paragraphs to introduce new ideas and break up the page. Headings also break up text and make it more digestible: are there enough of them? If there are too many levels of subhead, the structure may need rethinking. Typesetting may affect line length, and the copy-editor will know how to allow for this. Illustrations, graphs and tables – Images ought to support the text, with self-explanatory labels and captions that match. Text should comment on the data in graphs or tables, not just repeat it. The copy-editor advises the typesetter on the location of each element, checks that all the artwork is suitable for printing or reproduction on the web and notes the existence of permissions and wording of acknowledgements. Wording – Is the language pitched at the right level for the likely readers? Do any terms or abbreviations need explaining? Are tone, style and vocabulary appropriate? Do they add authority, or undermine the writer? Of course, language changes constantly and context is all, but copy-editors are aware of informed opinion on what is acceptable and what is best practice. George Orwell’s six rules for writers, in his essay ‘Politics and the English language’, remain the basis of good wording. Consistency – All the time the copy-editor keeps a list of decisions on alternative spellings, hyphenation, italics, capitals, units of measurement, how quotations are presented and much else. The text must not contradict itself, nor any illustrations, tables, graphs and captions. Internal linkscross-references must work. Accuracy and anomalies – Writers are responsible for what they write, but copy-editors will often spot misquotations, errors of fact, misspelt names, misused words, numbers that don’t add up and incomplete references, and will check or query them. Copy-editors will also query anything that does not seem to make sense. They scrutinise facts, dates, quotations and references, but do not routinely check every one unless this is budgeted for and agreed at the start. Legal issues – Although responsibility for these remains with the writer and publisher, copy-editors may flag up any instances they see of plagiarism or breach of copyright libel obscenity incitement to racial hatred. It is then up to the writer or publisher to deal with these issues. Extent – Is the work too long or too short? A book or journal publisher will know how many pages to expect; other clients may need guidance. Does the writer want to change or add material? The copy-editor can suggest ways to reduce the length or use space better without making the typesize too small or spacing too tight. Technical matters – Experienced copy-editors know enough about the technical aspects of publishing (e.g. printing, typefaces, web design) to be able to discuss various issues – extent, page breaks, special characters, types of image – with client, designer, typesetter or printer, to minimise costs and maintain schedules. First, make a rough inventory: Use bold colors and high contrast. A color may look completely different on your monitor than it will when projected on a large screen. Of course, you don’t want to bore your friends with your selfies, so make sure you pick only the very best photos of your vacation. A sweet literary treat. Social proof, where you use quotes from people, can help your readers feel that they need to consider your side of things to fit in socially. It’s similar to peer pressure and very useful for an persuasive essay. SmartArt graphics. The Little Interview See all posts. What is this? Why am I reading it? What do you want me to do?
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